Alumni Show Of Jiangxi Institute Of Fashion Technology: Triple Construction, Unique Voice

If there are any impressive moving elements on the stage of 2025 China International Fashion Week (Spring) that can "directly attack the future", the alumni joint show of Jiangxi Institute of Fashion Technology is the first, because it gives the audience an important point of "fashion inside and outside", as one of the most representative shows of "Jiangfu Day", three designers, different styles, different themes Different positioning, but focusing on the front line, to build the same voice under the common background, it carries the past and future of Jiangxi Institute of Fashion Technology for more than 30 years, like a concave convex mirror, reflecting the bright intersection of the college road and the fashion industry.

The audience was gathered in 97 cans and named as one school. Fashion has its own internal cause and source in this space. This show is far more than a simple clothing show. Through this stage, it clearly reflects the charming face of China's rich and diverse design, and more profoundly reflects the deep thinking of contemporary fashion circles on cultural inheritance, sustainable development and individual expression.

Wan Mingliang's "Lingling and Reading" series, which is like a vivid and beautiful Tang poem, turns the poetic and picturesque mood of Jiangnan water town into a vivid and delicate narrative in the clothing room. The heavy silk and the fragrant cloud gauze overlap and collide with each other, while retaining the dreamy and elegant texture of Tang damask, they also properly defend the season. As a mature designer, Wan Mingliang's exquisite design force skillfully deconstructs the classic handover collar of Han style clothes boldly and reshapes it into a unique asymmetric design, making the traditional totem and modern deconstruction have a passionate dialogue in a strong visual tension. The details are obvious. Chaofeng embroidery hidden in the silhouette cloak is full of deep feelings in every stitch, as if it is telling the immortal inheritance of silk culture over thousands of years. It is worth mentioning that, on the basis of retaining traditional skills and rhythms, Wan Mingliang has mixed thousands of contemporary dressing habits and aesthetic rhythms, and has changed the tense of traditional culture like a thin silk, leaving more space for the market to digest and making consumers conform to the water and soil.

Chen Kun's "Returning to the Heart" series is undoubtedly a wonderful performance that perfectly integrates oriental philosophy into fashion. As a designer and brand leader who is well versed in the market, he can directly point out the consumption pain at the beginning of design materialization. For example, this new series draws endless inspiration from lofty mountains and rivers, ethereal clouds, and ingeniously integrates the ancient concept of "harmony between man and nature" into every cutting detail. The ingenious application of natural fiber and plant dyeing technology is not only a powerful practice of the concept of sustainable fashion, but also makes every garment a solid spiritual link between man and nature. Under the extremely simple and ethereal clothing outline, there is a deep understanding and unique interpretation of the ancient philosophy of "simplicity outside and jade inside" by the designer. Brand works have precise positioning and audience, so there is no need to explain their own fans too much.

Yang Jianfei's "Adoles" series, three of the youngest new generation designers, has passed the verification of the "10+3 SHOWROOM Youth Designer Base Plan" on the stage of China International Fashion Week, focusing on more online consumer groups and Internet fans. With fearless innovation, he has completely broken the impassable boundary between tradition and modernity. Get creative inspiration from the classic film Let the Bullets Fly. With the title of "technology", we have made an unprecedented wonderful combination of intangible cultural heritage straw weaving technology and luxury fur fabric. With extraordinary ingenuity, we have made the leftover cut materials reborn. In the classic model of Chinese tunic suit, we have boldly injected ponderous human thoughts. This series is not only a lofty tribute to traditional skills, but also a vivid interpretation of the unique life attitude of contemporary urban youth, which is "true, interesting, brave and free". As a young designer of "Generation Z", he has already overtaken in a curve from the advanced idea of brand operation. For example, creating the image of "ideal pony" this season is a delightful brand recognition IP, full of strong commercial brand awareness. Many of Adoles' works in the past season were favored by artists, which also consolidated the fan base for the brand.

For a long time, Jiangxi Institute of Fashion Technology has produced many of China's top ten fashion designers in a very diversified style. As the backbone of contemporary Chinese fashion design, it has left a deep impression on consumers. Viewed from the wonderful performance of this season's "Jiangfu Day", what the audience can "smell" is not only rigorous and solid teaching, but also more with enterprises The mature leadership of brand seamless links has created the momentum of emerging industry talents in a diversified and inclusive atmosphere.

Different from the past, behind fashion, we have witnessed the innovative contemporary expression of Chinese traditional culture. The gold content of this joint show is not only "good-looking", but also witnessed the successful practice of the possibility of "sustainable" development in the fashion field. The wanton "someone behind" has made the young generation of designers bravely pursue individual values. This may be the unique voice of Jiangxi Institute of Fashion Technology.