"Nii Junichi's Art Exhibition" In Hubei Art Museum

Nii Junichi is a world-renowned textile innovator and master of dyeing and weaving. He devoted his life to the innovative design of fabrics. He is known as "post industrial expert" and "Japanese fabric wizards".

Nii Junichi's first large-scale tour in China, "the art exhibition of Buyi reconstruction - Nii Junichi Art Exhibition" was unveiled at the Hubei Art Museum. The exhibition systematically reviewed the design process spanning over two centuries through the concentrated display of over 100 textile art designs created by Nii Junichi integrating traditional crafts, modern technology and Oriental Aesthetics, and effectively explained Nii Junichi's unique artistic ideas and design ideas.

Li Dangqi, director of costume design and Art Committee of the Chinese Artists Association, commended Nii Junichi, not only an original fiber artist, an original textile designer, but also a scientist. He is a pathfinder and pioneer in exploring the field of dyeing and weaving science with different components, weaving techniques and different processing methods, and has a persistent craftsman spirit.

In the view of Wata Yoshiko, chairman of the International Federation of valiant associations, Nii Junichi is one of the most innovative textile designers in all respects. He is the designer of the designer and a futuristic artist. "He created not only new materials, but the future materials he called."

Nii Jun's addiction to synthetic yarns began in the middle of 1950s. He first tried to introduce gold gauze in his hometown, Ma County, and applied it to brocade weaving with thin sheets and jacquard looms.

He eventually won 36 patents related to metal yarns and laid a pioneer in the textile industry.

His breakthrough design method is known as the magic of alchemists, which combines traditional textile techniques with local handicrafts, such as combining the latest technology with winnowing: forming a gold, silver and aluminum film on polyester fabric by chemical etching; blending metal wool with wool or silk, creating unexpected texture and reflective effects; combining temperature sensitive dyes with titanium; drawing inspiration from the tire manufacturing industry, creating stainless steel spirals.

The application of metal yarns is both ancient and modern, and can be traced back to ancient Chinese inventions.

Nii Junichi's inspiration is derived from this ancient technology. He believed that the ancient textile manufacturers had been very clever in choosing materials and using technology, and on the basis of this, invented new methods to create works with modern design aesthetics.

In 2005, the installation art "Vajradhatu Mandala: Golden wall" displayed at the Museum of modern art in Kwu Ma Kao shows the great attraction of metallic fabrics.

Nii once said, "it sounds incredible, but I am very interested in dyeing.

If I were only dyed with ordinary fabrics, I would not be able to get so much fun.

In 70s, Nii Junichi embarked on the design and research of digital jacquard fabric, and created a large number of Oriental style fabrics.

His works have realized the perfect fusion of traditional technology and modern technology in textile dyeing and printing.

He is Lssey Miyake, the world's top fashion designer.

And other cooperation to integrate innovative fabrics.

In the design, it not only caused a sensation to the fashion industry, but also led to a new generation of design and innovation.

He is regarded as the core of contemporary design with Japanese avant-garde fashion designers.

His work has become a permanent collection of many museums, including the Vitoria and Albert museums in London, the Museum of modern art in New York, and the Museum of American craft.

"There are basically no natural fabrics in the exhibition, all of which are remade, soft and metal.

In the past, we all respected the manual work and respected the natural things. They thought they were more warm and full of vitality. In this exhibition, there are many things that are processed through technology, machine processed, fiber itself is also reconstructed, but still can feel the temperature, and there is an artist's life injection. "

Liu Maoping, vice president of Hubei Institute of Fine Arts, is also interested in the exhibition of "cloth recycling". He believes that the exhibition can be positioned in many ways. For example, it can be a soft device of fiber, with the quality of contemporary art, and can also be seen as a fashion show or a fiber art exhibition.

Although there are many ways of expression, textiles have not been respected enough.

Wata Yoshiko said that compared with ordinary art media, fabrics actually have larger space, which can be divorced from existing traditional art expression and can surpass national boundaries.

"A complete fabric, though flat, is flexible enough to pound, press, fold, compress and sew. It can burn, cut, tear, collage, or dye, print and make different things.

It can be vivid and texture, and the power can be large or small, and it can also be decorated.

Most importantly, Asia has a profound textile culture and is cosmopolitan. Every generation can find words related to textiles. "

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